Line and Form – Print Series Box Set Launch

As part of the Preview for Line and Form, a fundraising exhibition by Visual Arts students at West Dean College (Friday 16th March, 4-7pm), there will be a launch of ‘Angel Cake’ a unique publication put together by the exhibiting artists.

‘Angel Cake’ is a limited edition box set of seven fine art prints by West Dean Visual Arts students. Printed on Somerset Satin in an edition of twenty, every print is signed and numbered by the artists. A variety of processes have been used, including woodcut, aluminium etching, monotype and screenprint.

The sets are available to purchase for £70, with all proceeds going to support the students’ 2018 Summer Show at Espacio Gallery, London.

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Open Day

Open Day is a chance for prospective students to visit the Visual Arts department, find out more about the various Graduate and Postgraduate programmes, tour the studios and facilities, as well as to meet staff and students. Information about funding support, accommodation and study options will be available.

Saturday 3 February 2018, 10am – 2pm.

Please register here.

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Alumni Residency at Ochre Print Studio

Sarah Cliff – Iphigenia’s Inconsequential Dreams and Lost Intentions (4)

West Dean College Alumni, Sarah Cliff (MFA) has recently been appointed Artist-in-Residence 2018 at Ochre Print Studio in Guildford. The residency will provide her with access to a fully equipped print studio, workshops and studio space, three-monthly critiques, two exhibitions, a blog and talk, in return for help in coordinating exhibitions and technician responsibilities. Continue reading

Student interventions at West Dean Arts & Craft Festival, 2-4 June

As part of the 2017 Art and Crafts Festival, full-time Visual Arts students at West Dean College were invited to submit proposals for artworks to be displayed in the Historic House. Five works were selected to be on display during the event, the only occasion when the House is open to the public. The works include sculptures inspired by Edward James’ patronage of Leonora Carrington; his long-term friendship with George Balanchine and Lincoln Kirstein  (co-directors of the New York City Ballet); a plaque commemorating James’ vision of creation in the Old Dining Room in the 1930’s; a floating paper sculpture inspired by the work of René Magritte; and a kinetic sound installation exploring complex relationships between rhythm and chaos. Continue reading