As part of the Preview for Line and Form, a fundraising exhibition by Visual Arts students at West Dean College (Friday 16th March, 4-7pm), there will be a launch of ‘Angel Cake’ a unique publication put together by the exhibiting artists.
‘Angel Cake’ is a limited edition box set of seven fine art prints by West Dean Visual Arts students. Printed on Somerset Satin in an edition of twenty, every print is signed and numbered by the artists. A variety of processes have been used, including woodcut, aluminium etching, monotype and screenprint.
The sets are available to purchase for £70, with all proceeds going to support the students’ 2018 Summer Show at Espacio Gallery, London.
Open Day is a chance for prospective students to visit the Visual Arts department, find out more about the various Graduate and Postgraduate programmes, tour the studios and facilities, as well as to meet staff and students. Information about funding support, accommodation and study options will be available.
Saturday 3 February 2018, 10am – 2pm.
Please register here.
A work by recently graduated MA student Laura Luna Castillo at the West Dean College Summer Show, held in July 2017 at London’s Espacio Gallery, is featured as a highlight in the September / October edition of Crafts magazine (Issue 268). Continue reading
The work of current Visual Arts student, Askild Winkelmann, has been chosen as the front cover image of Untold Stories One, the first in a series of annual publications featuring extracts from the debut novels-in-progress of second year students on the MA Creative Writing & Publishing programme at West Dean College. Continue reading
As part of the 2017 Art and Crafts Festival, full-time Visual Arts students at West Dean College were invited to submit proposals for artworks to be displayed in the Historic House. Five works were selected to be on display during the event, the only occasion when the House is open to the public. The works include sculptures inspired by Edward James’ patronage of Leonora Carrington; his long-term friendship with George Balanchine and Lincoln Kirstein (co-directors of the New York City Ballet); a plaque commemorating James’ vision of creation in the Old Dining Room in the 1930’s; a floating paper sculpture inspired by the work of René Magritte; and a kinetic sound installation exploring complex relationships between rhythm and chaos. Continue reading