As part of the Preview for Line and Form, a fundraising exhibition by Visual Arts students at West Dean College (Friday 16th March, 4-7pm), there will be a launch of ‘Angel Cake’ a unique publication put together by the exhibiting artists.
‘Angel Cake’ is a limited edition box set of seven fine art prints by West Dean Visual Arts students. Printed on Somerset Satin in an edition of twenty, every print is signed and numbered by the artists. A variety of processes have been used, including woodcut, aluminium etching, monotype and screenprint.
The sets are available to purchase for £70, with all proceeds going to support the students’ 2018 Summer Show at Espacio Gallery, London.
Open Day is a chance for prospective students to visit the Visual Arts department, find out more about the various Graduate and Postgraduate programmes, tour the studios and facilities, as well as to meet staff and students. Information about funding support, accommodation and study options will be available.
Saturday 3 February 2018, 10am – 2pm.
Please register here.
West Dean College is pleased to welcome Katie Schwab as its new Artist-in-Residence. Selected as part of last autumn’s Open Call, Katie will be spending three-weeks based in the Visual Arts department, working in close proximity to full-time students. Over the next few weeks Katie will give a talk about her practice and ongoing residency project to staff, students and alumni, as well as conducting one-to-one tutorials. Continue reading
Gabriele Beveridge recently completed her residency at West Dean College, where she was based in the Visual Arts department and the Edward James Studios. The residency proved to be a very valuable time for Gabriele.
Florence Peake’s RITE is a layered reinterpretation of a monument in Modernism’s history: Igor Stravinsky’s The Rite of Spring, composed in 1913 for Sergei Diaghilev’s Ballets Russes. Choreographed by Vaslav Nijinsky, the original performance is notorious for the riot it provoked on the first night, when theatregoers apoplectic with anger had to be forcibly removed. Peake’s take, though, has little to do with those mythological beginnings. Instead, it taps into The Rite of Spring’s vital force, lending it a renewed sense of urgency. Continue reading